Ноты

Оригинал

Membra Jesu Nostri. Dietrich Buxtehude. 2 violins, 2 violas. da gamba. , Basso continuo. II. Ad genua. knees. Complete cantata. CPDL # 18641. Editor. Shigekazu Nimura. submitted 2008-12-23. Score information. A4, 26 pages, 344 kB Copyright. Personal. Edition notes. Concerto Ad ubera portabimini. CPDL # 05543. Capella. Editor. Michael Dreschel. submitted 2003-08-25. Score information. A4, 4 pages, 44 kB Copyright. Personal. Edition notes. Choral parts only. Cappella file is zipped. Voicing. SSATB chorus, SSATB soli. Sacred , Cantata. Language. Latin. SSATB chorus, SSB soli.

Перевод

Membra Jesu Nostri. Дитрих Букстехуде. 2 violins, 2 violas. да гамба. , Бассо континуо. II. Ad genua. knees. Complete cantata. CPDL # 18641. Редактор. Shigekazu Nimura. submitted 2008-12-23. Оценка информации. A4, 26 pages, 344 kB Copyright. Личный. Отмечает издание. Concerto Ad ubera portabimini. CPDL # 05543. Капелла. Редактор. Michael Dreschel. submitted 2003-08-25. Оценка информации. A4, 4 pages, 44 kB Copyright. Личный. Отмечает издание. Choral parts only. Cappella file is zipped. Voicing. SSATB chorus, SSATB soli. Священный, Кантата. Язык. Latin. SSATB chorus, SSB soli.

Оригинал

This is a cycle of seven cantatas, and dedicated to Gustaf Düben. The text, Salve mundi salutare is a poem written by Arnulf of Louvain. died 1250. Each of the seven parts pertains to a different part of the crucified Christ's body. feet, knees, hands, side, chest, heart, and head. The structure of each cantata follows the same form. Sonata. Concerto. chorus. Aria. Aria. Aria. Concerto. chorus. In all but the last cantata, the final concerto chorus is simply a repeat of the first chorus. in the seventh cantata, an Amen chorus is subsituted. The "arias" are actually solos, trios, or quintets.

Перевод

This is a cycle of seven cantatas, and dedicated to Gustaf Düben. The text, Salve mundi salutare is a poem written by Arnulf of Louvain. died 1250. Each of the seven parts pertains to a different part of the crucified Christ's body. feet, knees, hands, side, chest, heart, and head. The structure of each cantata follows the same form. Соната. Концерт. chorus. Воздух. Воздух. Воздух. Концерт. chorus. In all but the last cantata, the final concerto chorus is simply a repeat of the first chorus. in the seventh cantata, an Amen chorus is subsituted. The "arias" are actually solos, trios, or quintets.