Инструменты
Ансамбли
Опера
Композиторы
Исполнители

Ноты $53.95

Оригинал

String Quartet A major 1856. 28'. Emilie Mayer. Cello sheet music. Viola sheet music. Violin sheet music. Intermediate.

Перевод

Струнный квартет основных 1856. 28 '. Эмили Майер. Виолончель: ноты. Виола ноты. Скрипка ноты. Промежуточный.

Оригинал

String Quartet A major 1856. 28'. composed by Emilie Mayer. 1821-1883. Edited by Heinz-Mathias Neuwirth. For string quartet. 2 violins, viola, cell. Sound Research of Women Composers. Music of the Romantic R 23. 19th century, Romantic. Medium. Score and parts. Published by Furore Verlag. FV.FUE-10058. ISBN 979-0-50182-058-0. 19th century, Romantic. First publication. The first movement. Allegro, 4. 4 time. is distinguished by a clear recurring structure characterized by a differentiation in compositional technique and tonal detail. The "energetic. lyrical" contrast manifests itself in a sequence of contrasting episodes â“ both within and outside the themes. In its technical development the first movement is modelled on the first movement of Beethoven's String Quartet op. 18. Besides thematic, harmonic and figural echoes and similarities such as the time signature and the use of characteristic accentuation, the reduction of the movement's motifs to one central theme is of particular note.

Перевод

Струнный квартет основных 1856. 28 '. composed by Emilie Mayer. 1821-1883. Под редакцией Heinz-Матиас Neuwirth. Для струнного квартета. 2 violins, viola, cell. Звук Исследование женщин композиторов. Music of the Romantic R 23. 19-го века, Романтичный. Среда. Партитура и партии. Опубликовано Furore Verlag. FV.FUE-10058. ISBN 979-0-50182-058-0. 19-го века, Романтичный. Первая публикация. Первое движение. Allegro, 4. 4 раз. is distinguished by a clear recurring structure characterized by a differentiation in compositional technique and tonal detail. The "energetic. lyrical" contrast manifests itself in a sequence of contrasting episodes â“ both within and outside the themes. In its technical development the first movement is modelled on the first movement of Beethoven's String Quartet op. 18. Besides thematic, harmonic and figural echoes and similarities such as the time signature and the use of characteristic accentuation, the reduction of the movement's motifs to one central theme is of particular note.