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Оригинал

Filli, un solo tuo sguardo. Alto Voice sheet music. Piano and Keyboard sheet music.

Перевод

Filli, un solo tuo sguardo. Альто Голос ноты. Фортепиано и клавиатура ноты.

Оригинал

Filli, un solo tuo sguardo composed by Benedetto Vinaccesi. Edited by Michael Talbot. For Alto voice and basso continuo. Full score and parts. 82x8. xi. pages. Duration 8 minutes. Published by Edition HH Music Publishers. HH.HH106-FSP. ISBN 1-904229-64-6. Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic 'trademarks' - the use of end-rhyme throughout the recitative stanzas. , not merely in a final couplet. - the text for Filli, un solo tuo sguardo is probably by another, as yet unknown, author. Its subject is the familar one of the timid lover, too embarrassed to confess his love but tormented beyond endurance if he does not do so. The text comprises three arias, each introduced by a short recitative. This 'RARARA' structure, common enough in the later seventeenth century, tends to give way to a 'RARA' or even 'ARA' structure in the eighteenth century and is here a conservative feature.

Перевод

Filli, un solo tuo sguardo composed by Benedetto Vinaccesi. Под редакцией Майкла Talbot. Для Альто голоса и баса. Партитура и партии. 82x8. XI. страницы. Продолжительность 8 минут. Издатель издание НН музыкальных издателей. HH.HH106-FSP. ISBN 1-904229-64-6. Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic 'trademarks' - the use of end-rhyme throughout the recitative stanzas. , А не просто в конечном куплета. - the text for Filli, un solo tuo sguardo is probably by another, as yet unknown, author. Its subject is the familar one of the timid lover, too embarrassed to confess his love but tormented beyond endurance if he does not do so. Текст состоит из трех арии, каждый введенный коротким речитатив. Это "RARARA" структура, достаточно распространены в позднем семнадцатого века, как правило, дают путь к "RARA» или даже «АРД» структуры в восемнадцатом веке, и здесь консервативная функция.