Ноты $9.95

Оригинал

I lie and slumber, still and peaceful. Johann Christoph Friedrich Bach. Choir sheet music. Piano and Keyboard sheet music.

Перевод

I lie and slumber, still and peaceful. Иоганн Кристоф Фридрих Бах. Хор ноты. Фортепиано и клавиатура ноты.

Оригинал

I lie and slumber, still and peaceful composed by Johann Christoph Friedrich Bach. 1732-1795. Edited by Klaus Hofmann. Arranged by Johann Horn. For SATB choir,. basso continuo. This edition. Paperbound. Stuttgart Urtext Edition. German title. Ich lieg und schlafe. Sacred, Motets, Psalms, German. Stuttgart Urtext editions. Occasions. Morning, Midday, Evening, Mourning, Death. Use during church year. Holy Week. Full score. Language. German. English. BR JCFB H 100. 40 pages. Duration 15 minutes. Published by Carus Verlag. CA.3410100. ISBN M-007-05187-7. With Language. German. English. Sacred, Motets, Psalms, German. Stuttgart Urtext editions. Occasions. Morning, Midday, Evening, Mourning, Death. Use during church year. Holy Week. The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.

Перевод

I lie and slumber, still and peaceful composed by Johann Christoph Friedrich Bach. 1732-1795. Под редакцией Клауса Hofmann. Аранжировка Иоганна Роге. Для SATB хоре,. баса. Это издание. Paperbound. Штутгарт Urtext издание. Немецкий название. Ich lieg und schlafe. Священные, Мотеты, Псалмы, Немецкий. Штутгарт Urtext издания. Случаев. Утро, Полдень, Вечер, траур, смерть. Применение в период церковного года. Страстная неделя. Партитура. Язык. Немецкий. Английский. BR JCFB H 100. 40 страниц. Длительность 15 мин. Опубликовано Карус Verlag. CA.3410100. ISBN M-007-05187-7. С языка. Немецкий. Английский. Священные, Мотеты, Псалмы, Немецкий. Штутгарт Urtext издания. Случаев. Утро, Полдень, Вечер, траур, смерть. Применение в период церковного года. Страстная неделя. The autograph contains no reference to accompaniment by instruments, and a purely vocal performance of the work would doubtless be completely appropriate. On the other hand, nothing speaks against instrumental support of the voices, as it is known from the performance practice of Johann Sebastian Bach.