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Оригинал

Sacra et litaniae - pars VI. Voice sheet music. Choir sheet music. Trombone sheet music. Organ Accompaniment sheet music.

Перевод

Сакра и Litaniae - Парс VI. Голос: ноты. Хор ноты. Тромбон ноты. Сопровождением органа ноты.

Оригинал

Sacra et litaniae - pars VI. Missa pro defunctis. Composed by Adam Vaclav Michna z Otradovic. Edited by V. Belsky. Jiri Sehnal. For singing voice, mixed choir, basso continuo, organ. 3 Trombones. Solo Singing voice. Mixed Choir. ATB. Basso continuo. Organ. This edition. Complete edition. Adam Vaclav Michna. Compositiones 11. Classical. Complete edition, Score. Language. Latin, Text Language. Czech. German. English. Published by Editio Baerenreiter Praha. PA.H7996. ISBN 9790260104013. With Language. Latin, Text Language. Czech. German. English. Classical. 31 x 23.7 cm inches. Until recently, Adam Michna z Otradovic was known solely as a major Czech Baroque poet, and the composer of church songs to his own texts. With the series of his edited works, Adam Michna z Otradovic - Compositiones, started in 1989, however, he has been presented - for the first time in the modern times, and in the form of a critical edition - also as an outstanding composer of liturgic forms. Of the nine compositions contained in his collection, Sacra et litaniae. publ. 1654. , this new edition has already brought out five of its six masses. The last of the masses, Missa pro defunctis. Requiem. , is a work embued with calm, reconciled grief. In contrast to Michna's previous output, it is virtually free from the standard Baroque-style rhetorics, instead running its course largely in the polyphonic stile antico. The combination. S,A,T,B soli, coro, 2 violins, 3 trombones, organ. basso continuo. The mass may likewise be performed by a chamber-format choir. The ideal solution would involve, in compliance with the 17th-century practice, having both the solo and choir soprano and contralto parts sung by boys' voices. The score is also suitable for use as performing material for singers.

Перевод

Сакра и Litaniae - Парс VI. Missa про defunctis. Composed by Adam Vaclav Michna z Otradovic. Под редакцией В. Бельский. Jiri Sehnal. For singing voice, mixed choir, basso continuo, organ. 3 тромбонов. Solo певческий голос. Смешанный хор. АТБ. Бассо континуо. Орган. Это издание. Полное собрание сочинений. Адам Вацлав Michna. Compositiones 11. Классический. Полное собрание сочинений, счет. Язык. Латинский, язык текста. Чешский. Немецкий. Английский. Опубликовано Editio Baerenreiter Praha. PA.H7996. ISBN 9790260104013. С языка. Латинский, язык текста. Чешский. Немецкий. Английский. Классический. 31 х 23,7 см дюймов. Until recently, Adam Michna z Otradovic was known solely as a major Czech Baroque poet, and the composer of church songs to his own texts. With the series of his edited works, Adam Michna z Otradovic - Compositiones, started in 1989, however, he has been presented - for the first time in the modern times, and in the form of a critical edition - also as an outstanding composer of liturgic forms. Of the nine compositions contained in his collection, Sacra et litaniae. publ. 1654. , this new edition has already brought out five of its six masses. The last of the masses, Missa pro defunctis. Реквием. , is a work embued with calm, reconciled grief. In contrast to Michna's previous output, it is virtually free from the standard Baroque-style rhetorics, instead running its course largely in the polyphonic stile antico. The combination. S,A,T,B soli, coro, 2 violins, 3 trombones, organ. баса. The mass may likewise be performed by a chamber-format choir. The ideal solution would involve, in compliance with the 17th-century practice, having both the solo and choir soprano and contralto parts sung by boys' voices. The score is also suitable for use as performing material for singers.