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J.S. Bach. Lord My God, My Heart And Soul Were Sore Distrest BWV 21 - Cantata For The 3rd Sunday After Trinity. Vocal Score. Sheet Music. Soprano, Alto, Tenor, Bass Voice, SATB, Piano Accompaniment. SOP. ALTO. TEN. BASS. SATB. PFA. J.S. Bach.

Перевод

J.S. Холостяк. Господи Боже мой, мое сердце и душа Боль Distrest BWV 21 - кантата для The 3rd воскресенье после Троицы. Vocal Score. Ноты. Soprano, Alto, Tenor, Bass Voice, SATB, Piano Accompaniment. СОП. ВЫСОКИЙ. TEN. BASS. SATB. PFA. J.S. Холостяк.

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The cantata Ich hatte viel Bekümmernis dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach’s. best-known cantatas today. The cantata is published here in a vocal score based on the New Bach Edition with an idiomatic, straightforward piano reduction by Martin Focke. One of Bach's best-known cantatas Urtext based on the "New Bach Edition" Clear straightforward piano reduction Singing text in German and English.

Перевод

Кантата Ich hatte Вьель Bekümmernis датируется приблизительно 1713 и, вероятно, выполнены впервые в этом году в Liebfrauenkirche в Галле. Его возложив на третье воскресенье после Троицы, вероятно, произошло только в следующем году. With its large-scale structure and strong emphasis on biblical texts, it was extremely popular in the 19th century and remains one of Bach’s. best-known cantatas today. The cantata is published here in a vocal score based on the New Bach Edition with an idiomatic, straightforward piano reduction by Martin Focke. One of Bach's best-known cantatas Urtext based on the "New Bach Edition" Clear straightforward piano reduction Singing text in German and English.