out like a diamond now it's two for the price of seven in my mind let's get out of here let's get out of here let's get out of here let's get out of
comes out like a diamond now it's two for the price of seven in my mind let's get out of here let's get out of here let's get out of here let's get out
hungry, moved in One's five's and ten's was funny money So I sets my sights bigger, four figures or mo' Real nigga fo' sho', out in the cold for dough
, moved in One's five's and ten's was funny money So I sets my sights bigger, four figures or mo' Real nigga fo' sho', out in the cold for dough What
I'll boost you up yours Let's all stroke together Like the Princeton crew When you're strokin' Mama Mama's strokin' you So what's the one conclusion I
hungry, moved in One's five's and ten's was funny money So I sets my sights bigger, four figures or mo' Real ni**a fo' sho', out in the cold for dough
guess there's no denying this made me stand out from the rest But that kind of thing has never fazed me. I just took it in jest Sure the broken stammers
SCENE TWO JOE'S GARAGE A boring old garage in a residential area with a teenage band rehearsing in it. JOE (the main character in the CENTRAL SCRUTINIZER'S
read the Pitchfork review of the new Pavement Reissue. Stephen Malkmus is a genius, but let's face it- he's no Connor Oberst. I'm just sayin it's not
